Click any note to hear it.
Ten exercises in order, three levels each. A short session every day mixes the newest with what is due, and a level only passes on a second day.
Scales and modes on the whole neck, in any key: hear them, see their positions, and compare each with the scale beside it.
Not tunes. Each sets the board up and drops you into it — or build your own out of the parts.
The changes only, transposed to any key. Play over the form — or write your own changes and a melody over them.
Printable sheets ↗Which input the guitar button on the Practice screen listens to. A guitar through an interface is a far cleaner signal than one across a room — especially on the wound strings, where a laptop microphone hears the harmonics louder than the note itself.
An interface is recognised by name, which browsers hide until the microphone has been allowed once. Press the microphone button on the Practice screen once and the names appear. If the guess is wrong, say so here.
How chords are written on the board and in the titles.
Which part of the neck you look at, and how much of it. The arrow keys move the window too, from anywhere.
Several angles at once, shuffled. It feels worse than drilling one angle at a time and it is remembered better — which is the whole reason this app has eight of them rather than one.
The level each exercise is working on, and the numbers its gate reads: the last twenty answers, the median time to a right one, and the latest cold score — the first ten answers of a day.
What the Key & structure panel’s practice has logged: each exercise’s level, the last twenty answers, and the median time to a right one.
The weight is how much each one counts towards the composite. Playing a chord is worth more than recognising it, so a high score is unreachable by recognition alone.
Keys in fourths, down the side. Hover a cell for what is behind the number.
Anything under 85% once decay is applied.